Large Orchestra
–towards an isotropic sound (a trilogy)–1, for an orchestra of 102 musicians ca. 23′ (2019)
–towards an isotropic sound (a trilogy)-2, for large orchestra,
ca. 16′ (2023)
–towards an isotropic sound (a trilogy)–3, for large orchestra, 4 female voices, organ, and harpsichord. ca. 21′ (2013-2024)
–Impressions Estiuenques. for large orchestra. ca. 10′
Commissioned by the Melrose Symphony Orchestra. (2000)
Performed in Boston, USA, by The Boston Conservatory Orchestra, 2001.
Chamber Orchestra
–Cançó de Matinada, for guitar and chamber orchestra. ca. 10′ (1998)
Premiered in Boston, USA, by The Boston Conservatory Chamber Orchestra (1998).
Soloist: Pablo González Jazey
Chamber music
–Quartet en Mi, 1999 for soprano, alto, tenor and bariton saxophones.
ca. 16′
Premiered by The Boston Conservatory Saxophone Quartet, 1999.
– Quintet de Vent n.1, 2000 for flute, oboe, clarinet, bassoon and f. horn, 2000, ‚ Premiered by The Boston Conservatory Wood Wind Quintet. 17‘
–Estudi de Proporcions n.1 “12“, 2002 for 2 clarinets in Bb (2nd doubles bass clar.), 2 f. horns, 2 violins, viola, cello and and percussion. 10′
Premiered by Ensemble Obert at CCCB, Barcelona, Spain, 2002.
–Estudi de Proporcions n.2 “Kreise in Kreis: Klang in Klang”, 2003
for accordion soloist, flute, clarinet, bass clarinet, alto saxophon, trumpet in C, guitar, violin, contrabass, and piano. 17′
Premired by Oroitz Maiz (accordion) and the Ensembe Embut at the Sala d’Orquestra de l’Esmuc, 2003.
–Estudi de Proporcions n.3, 2003-2004 for Bb clarinet, violin, cello and piano, 2003-2004. 15′
Premiered by BCN Grup Instrumental at Esmuc, Spain. 2004.
–Estudi de Proporcions n.4 (Haiku), 2005 for flute in C (doubling alto flute), Bb clarinet (doubling bass clar.), violin, cello and piano. 10′
Commissioned by the „Festival Nou Sons“, Barcelona, Spain.
Premiered by Trigger Ensemble für Neue Musik, Auditori de Barcelona, 2004.
SCORE AND AUDIO available at:
https://drive.google.com/drive/u/1/folders/
1fQ5Oz3qIAZ-JhR1Psr7sN8Eeard26Po6
–Estudi de Proporcions 5: Introduction of Purcell’s Diddo and Aaneas, a deconstruction, 2005 for violin, cello and piano,2006. 12′
Premiered by Trio Elole, Dreden, Germany, 2006.
SCORE AND AUDIO available at:
https://drive.google.com/drive/u/1/folders/
1eSXTB1IEBpjdUvfBzeLNiHKbsB05Vd2
–Campanes de Llum, 2006 for piano, vibrafon, and electronics. 22′
Premiered at the Escola Superior de Música de Catalunya, Spain, 2006.
–Eppur si Muove, 2010 for flute in C (doubling alto flute), Bb clarinet (doubling bass clar.), guitar, violin, cello and piano. 15′
Commissioned by the Festival Nou Sons, Barcelona, Spain.
Premiered by Ensemble Smash , Auditori de Barcelona, Spain, 2010.
SCORE AND AUDIO available at: https://drive.google.com/drive/folders/
19coTLK_6ujVZ_4xDp6TllG75wydGywVO?usp=sharing
– Utopia II, 2015 (rev. 2018) for flute, alto saxophone, violin, viola, cello, guitar and piano. 10′
Commissioned by Smash Ensemble.
Premiered by Ensemble Smash,
Suså Festival, Naevsted, Denmark, 2015.
SCORE AND AUDIO available at:
https://drive.google.com/drive/folders/
1NTENdD0pQto0fZrz1GDt1A_73w3wngIj?usp=sharing
–Pieza para 4 percusionistas,cajas y resonancias, 2018. 16′
SCORE available at:
https://drive.google.com/drive/folders/
1zbOW_kcZqGF7DDRFoamuhP5UGqogvW_S?usp=sharing
–Pieza para 4 guitarras (y espacio), 2018, ca. 17′
Premiered by Aleph Quartet, Festival Mixtur, Barcelona, Spain, 2019.
SCORE AND AUDIO available at:
https://drive.google.com/drive/u/1/folders/
1TFSdvVoSC4J7r0rBgpzajInKnDQUn_y
–feedback II, 2024, ca. 13′ for violin, viola, cello
Premiered by Trio Skweres, M26 Saal, Regensburg, Germay.
Unternehmen Gegenwart Musikfestival, October 13, 2024.
Solo Pieces
–Deformacios n.1, 2008-2009 for sensors, live electronics (MaxMSP), Ambisonics and quadraphonic spatialization. 28′
Premiered by Jordi Sánchez Puig, Fundació Phonos, Barcelona, 2008.
–Deformacios n.2, 2006-2007 for piano, sensors, live electronics (MaxMSP), Ambisonics and quadraphonic spatialization. 17′
Premiered by Jordi Sánchez Puig, Music Biennale 2008, Koper, Slovenia, 2008.
–Poética (Supongo), for guitar, 2012. 16′
Commissioned by Smash Ensemble, Salamanca, Spain.
Premiered by Bertrand Chavarría-Aldrete,
Hospedería Fonseca, Salamanca, Spain, 2012.
SCORE AND AUDIO available at: https://drive.google.com/drive/folders/
1IJmSuh2cBfBlDFB2WJIRarsxfcIYoXto?usp=sharing
– A e io, for cello, 2016. 12’
SCORE AND AUDIO available at: https://drive.google.com/drive/folders/
1dkdenV3qt0juRKm_Wa7Oiz9gjSBlRlYB?usp=sharing-
–Pieza para Marimba, 2016. 7’
SCORE available at: https://drive.google.com/drive/folders/
1ypqyXBlr1_2HWxI2HUJnbtlcNgTIMhHn?usp=sharing
–„…es una cosa muy rara…“, for piano, 2014 (rev. 2106). 10′
Premiered by Masako Otha, Munich, 2014.
SCORE available at: https://drive.google.com/drive/folders/
1hVQN4lh8u7zZfPFDkDRIan8GDDgA0evd?usp=sharing
–Pieza para Henrique y 4 altavoces, 2016 for alto saxophone and electronics, 2016. 17′
Premiered by Henrique Portovedo at Seia, Portugal, 23.3. 2107 .
SCORE AND AUDIO available at:
https://drive.google.com/drive/folders/
1LaJ3yWy7c0Gl8sJlk7tljzWwW1yKMSz?usp=sharing
–feedback I, for snare drum and loop pedal 2023 10′
Premiered by Antonino Secchia at Concert Hall Bezirkt Oberpfalz, Germany, October 2023.
Electronic Music
–Musical Situation 1, 2013 electroacoustic piece for 8 channels. 22′
Premiered at the WellenFeld H 104, Berlin.
–Topos, 2011 electroacoustic piece for 8 channels. 6′
Premiered at the Departamento de Comunicação é Arte, Universidade de Aveiro, Portugal, 2011.
–Polyphonic Continuum, 2012 electroacoustic piece for 8 channels. 10′
Premiered at the EM-Hören, TU Berlin, 2013.
–Electronic Studio n.1, 2005-2006 electroacoustic piece for 4 channels. 9’
Premiered at the Escola Superior de Música de Catalunya, Spain, 2006.
Video
–Campanes de Llum/ Profanaciones (video by Oriol Sánchez Puig), for piano, vibrafon and electronics, 2006, (20′)
Premiered at the Escola Superior de Música de Catalunya, Spain, 2006.
–Texture/ Colapso (video by Olga Oliveira), 2011 electroacoustic piece for 4 or 8 channels. 9′
Premiered at the Departamento de Comunicação é Arte, Universidade de Aveiro, Portugal, 2011.
Installations
–Polyphonic Continuum/ Visions of Machbeth (video by Markus Selg), electroacoustic piece for 8 channels, 2012. 20′
Premiered at „Cicle de Concerts Hangar Multifocal“, Orquestra del Caos, Barcelona, 2014.
–A Room (4:30 am – 6 am), Sound and Video Installation
Binaural Sound Installation with headphones
Presented at M26 Saal as part of the Unternehmen Gegenwart Musikfestival 10 to 13 October 2024.
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