works

–towards an isotropic sound (a trilogy)-2, for large orchestra,

ca. 16′ (2023)

Score edited by Universal Edition (UES110508-000-SO)

–towards an isotropic sound (a trilogy)–3, for large orchestra, 4 female voices, organ, and harpsichord. ca. 18′ (2013-2026)

–Impressions Estiuenques. for large orchestra. ca. 10′ (2000)

Commissioned by the Melrose Symphony Orchestra.

Performed in Boston, USA, by The Boston Conservatory Orchestra, 2001.

Chamber Orchestra

–Cançó de Matinada, for guitar and chamber orchestra. ca. 10′ (1998)

Premiered in Boston, USA, by The Boston Conservatory Chamber Orchestra (1998).

Soloist: Pablo González Jazey

Chamber music

–Quartet en Mi, for soprano, alto, tenor and bariton saxophones.

ca. 16′ (1999)

Premiered by The Boston Conservatory Saxophone Quartet, 1999.

– Quintet de Vent n.1, for flute, oboe, clarinet, bassoon and f. horn, ca. 17′ (2000)

Premiered by The Boston Conservatory Wood Wind Quintet, The Boston Conservatory (2000)

–Estudi de Proporcions n.1 “12“, for 2 clarinets in Bb (2nd doubles bass clar.), 2 f. horns, 2 violins, viola, cello and and percussion. 10′ (2002)

Premiered by Ensemble Obert at CCCB (Centre de Cultuura Contemporànea de barcelona), Barcelona, Spain, 2002.

–Estudi de Proporcions n.2 “Kreise in Kreis: Klang in Klang”,

for accordion soloist, flute, clarinet, bass clarinet, alto saxophon, trumpet in C, guitar, violin, contrabass, and piano. 17′ (2003)

Premired by Oroitz Maiz (accordion) and the Ensembe Embut at the Sala d’Orquestra de l’Esmuc, 2003.

–Estudi de Proporcions n.3, for Bb clarinet, violin, cello and piano, 2003-2004. 15′ (2003-2004)

Premiered by BCN Grup Instrumental at Esmuc, Spain, 2004.

–Estudi de Proporcions n.4 (Haiku), for flute in C (doubling alto flute), Bb clarinet (doubling bass clar.), violin, cello and piano. 10′ (2005)

Commissioned by the „Festival Nou Sons“, Barcelona, Spain.

Premiered by Trigger Ensemble für Neue Musik, Auditori de Barcelona, 2004.

SCORE AND AUDIO available at:

(Copy and paste the entire address)

https://drive.google.com/drive/u/1/folders/

1fQ5Oz3qIAZ-JhR1Psr7sN8Eeard26Po6

–Estudi de Proporcions 5: Introduction of Purcell’s Diddo and Aaneas, a deconstruction, 2005 for violin, cello and piano 12′ (2006)

Premiered by Trio Elole, Dreden, Germany, 2006.

Score edited by Universal Edition (UES110506-000-SO)

–Campanes de Llum, for piano, vibrafon, and electronics. 22′ (2006)

Premiered by Jordi Sánchez Puig (piano) and Jean baptiste Seguin (Vibrafon) at the Escola Superior de Música de Catalunya, Spain, 2006.

–Eppur si Muove, for flute in C (doubling alto flute), Bb clarinet (doubling bass clar.), guitar, violin, cello and piano. 15′ ( 2010)

Commissioned by the Festival Nou Sons, Barcelona, Spain.

Premiered by Ensemble Smash , Auditori de Barcelona, Spain, 2010.

SCORE AND AUDIO available at

(Copy and paste the entire address): https://drive.google.com/drive/folders/

19coTLK_6ujVZ_4xDp6TllG75wydGywVO?usp=sharing

– Utopia II, for flute, alto saxophone, violin, viola, cello, guitar and piano. 10′ 2015 (rev. 2018)

Commissioned by Smash Ensemble.

Premiered by Ensemble Smash,

Suså Festival, Naevsted, Denmark, 2015.

SCORE AND AUDIO available at:

(Copy and paste the entire address)

https://drive.google.com/drive/folders/

1NTENdD0pQto0fZrz1GDt1A_73w3wngIj?usp=sharing

–Pieza para 4 percusionistas, cajas y resonancias, 16′ (2018)

SCORE available at:

(Copy and paste the entire address)

https://drive.google.com/drive/folders/

1zbOW_kcZqGF7DDRFoamuhP5UGqogvW_S?usp=sharing

–Pieza para 4 guitarras (y espacio) ca. 17′ (2018)

Premiered by Aleph Quartet, Festival Mixtur, Barcelona, Spain, 2019.

Score edited by Universal Edition (UES111881-711-04-SO)

Solo Pieces

–Deformacios n.1 for sensors, live electronics (MaxMSP), Ambisonics and quadraphonic spatialization. 28′ (2008-2009)

Premiered by Jordi Sánchez Puig, Fundació Phonos, Barcelona, 2008.

–Deformacios n.2 for piano, sensors, live electronics (MaxMSP), Ambisonics and quadraphonic spatialization. 17′ (2006-2007)

Premiered by Jordi Sánchez Puig, Music Biennale 2008, Koper, Slovenia, 2008.

–Poética (Supongo), for guitar 16′ (2012)

Commissioned by Smash Ensemble, Salamanca, Spain.

Premiered by Bertrand Chavarría-Aldrete,

Hospedería Fonseca, Salamanca, Spain, 2012.

Score edited by Universal Edition (UES110505-711-SO)

– A e io, for cello 12’ (2016)

SCORE AND AUDIO available at:

(Copy and paste the entire address) https://drive.google.com/drive/folders/

1dkdenV3qt0juRKm_Wa7Oiz9gjSBlRlYB?usp=sharing-

–Pieza para Marimba 7’ (2016)

SCORE available at: https://drive.google.com/drive/folders/

1ypqyXBlr1_2HWxI2HUJnbtlcNgTIMhHn?usp=sharing

–„…es una cosa muy rara…“, for piano 10′ 2014 (rev. 2106).

Premiered by Masako Otha, Munich, 2014.

SCORE available at:

(Copy and paste the entire address)

https://drive.google.com/drive/folders/

1hVQN4lh8u7zZfPFDkDRIan8GDDgA0evd?usp=sharing

–Pieza para Henrique y 4 altavoces for alto saxophone and electronics 17′ (2016)

Premiered by Henrique Portovedo at Seia, Portugal, 23.3. 2107 .

SCORE AND AUDIO available at:

(Copy and paste the entire address)

https://drive.google.com/drive/folders/

1LaJ3yWy7c0Gl8sJlk7tljzWwW1yKMSz?usp=sharing

–feedback I, for snare drum and loop pedal 10′ (2023)

Premiered by Antonino Secchia at Concert Hall Bezirkt Oberpfalz, Germany, October 2023.

–feedback III, for Bass Clarinet and Contrabass Clarinet, electronics, and octophonic spatialisation 14′ ( 2025)

Electronic Music

–Musical Situation 1, electroacoustic piece for 8 channels. 22′ (2013)

Premiered at the WellenFeld H 104, Berlin.

–Topos, electroacoustic piece for 8 channels. 6′ (2011)

Premiered at the Departamento de Comunicação é Arte, Universidade de Aveiro, Portugal, 2011.

–Polyphonic Continuum electroacoustic piece for 8 channels. 10′ (2012)

Premiered at the EM-Hören, TU Berlin, 2013.

–Electronic Studio n.1, electroacoustic piece for 4 channels. 9’ (2005-2006)

Premiered at the Escola Superior de Música de Catalunya, Spain, 2006.

Video

–Campanes de Llum/ Profanaciones (video by Oriol Sánchez Puig), for piano, vibrafon and electronics, 20′ (2006)

Premiered at the Escola Superior de Música de Catalunya, Spain, 2006.

–Texture/ Colapso (video by Olga Oliveira), electroacoustic piece for 4 or 8 channels. 9′ (2011)

Premiered at the Departamento de Comunicação é Arte, Universidade de Aveiro, Portugal, 2011.

Installations

–Polyphonic Continuum/ Visions of Machbeth (video by Markus Selg), electroacoustic piece for 8 channels 20′ (2012)

Premiered at „Cicle de Concerts Hangar Multifocal“, Orquestra del Caos, Barcelona, 2014.