Kategorie: Allgemein

During these two days, I have revised and improved the permanences made during the first session in October, especially two of them that seemed too static. I have added more movement to the sound fragments, i.e. more space-sound density variations, and I have minimized the envelopes to add more relief. Due to the high amount…

During these two days three new „illuminations“ were composed and one of those composed in the previous session was revised and improved. If we add up all the illuminations that I have composed during these three sessions, the total number is twelve, a number that coincides with the twelve apostles represented in the frescoes. As…

During this two day session three new „permanences“ or illuminations have been achieved, making a total of nine if we add those made in the first session. Although it is too early to say that the nine illuminations are good enough to be definitive, an effort has been made to ensure that each has specific…

On 26 and 27 September, the sound illumination of the Romanesque ossuary in Perschen finally began. During these two days, numerous tests were carried out to experiment the acoustic response of the space and the possiblity to reach the so called „diffuse sound fields“. The result of these tests, which consisted of spreading sound fragments…

Address : Carl-Thiel-Strasse 8 93053 Regensburg, Germany. Email : joanrierarobuste@gmail.com

A sonic illumination project of the Romanesque charnel house in Perschen, Bavaria, is scheduled to begin in September 2023. It involves multiple sound tests to determine an optimal sound composition that enhances the location’s spiritual ambience. Initial impressions suggest that the sound intervention significantly intensifies contemplation of the religious images within the space.

Large Orchestra –towards an isotropic sound (a trilogy)–1, for an orchestra of 102 musicians ca. 23′ (2019) –towards an isotropic sound (a trilogy)-2, for large orchestra, ca. 16′ (2023) –towards an isotropic sound (a trilogy)–3, for large orchestra, 4 female voices, organ, and harpsichord. ca. 21′ (2013-2026) –Impressions Estiuenques. for large orchestra. ca. 10′ Commissioned…

ACADEMIC STUDIES -Ph.D. in Musical Composition, Universidade de Aveiro, Portugal, 2014. -Degree in Composition, Título Superior de Música en la Especialidad de Composición, Escola Superior de Música de Catalunya, 2006. -Master, M.M. Jazz Composition, The Boston Conservatory, Boston, MA, 2001. -Bachelor’s Degree, B.A. Jazz Composition, Berklee College of Music, Boston, MA, 1997. -Diploma, Aula de…

Scores Estudi de Proporcions n. 4, Revista Quodlibet n.43, Universidad de Alcalá de Henares, Spain, 2009. Available at: https://www.elargonauta.com/revistas/quodlibet-no-43-enero-abril-2009/24796/ Articles „Piano, Sensors and Live Electronics: the performer’s perspective“ eContact vol.13.2, The Canadian Electroacoustic Community’s Online Journal of Electroacoustics, 2011. Available at: http://econtact.ca/13_2/robuste_sensors.htm -„Filling Sound with Space: an elemental approach to sound spatialisation„ Available at: https://www.cambridge.org/core/journals/organised-sound/article/filling-sound-with-space-an-elemental-approach-to-sound-spatialisation/EBAD72C657C2E00C61977228C8795F02/share/9134d775c8afdaac3765725dfaefdcc201f042c9

Mentrestant…(2002) Bats Saxophone quartet Quartet en E Label: Bats Quartet Zauber Quintet (2003) Bassoon – Pere Benitez, Clarinet – Enric Pinazo, Flute – Anna Òrrit, Horn – Jordi Peiró, Oboe – Narcís Llorgueres, Piano – Ana Carro Quintet de vent n.1 Label: El Senyor Guindilla carpere fide(s) (2016) Bertrand Chavarría, Guitar Poética (Supongo) Label: Odradek Records BLANC (2019) Henrique Portovedo, Saxophone Pieza para Henrique y 4 Altavoces…